Some artists create music to entertain. Others create music to communicate. Mesmonized belongs firmly in the latter category, crafting songs that challenge perceptions, stir emotions, and invite listeners into deeply personal and often uncomfortable spaces. Unconcerned with fitting neatly into any one genre, he has built a body of work defined by artistic freedom, emotional honesty, and a willingness to confront both personal struggles and the realities of the world around him.
As he prepares to release his highly anticipated EP, In the Room, on June 8, 2026, Mesmonized stands at an important creative moment. The project serves as a bridge between years of artistic evolution and the arrival of a forthcoming full-length album, offering listeners an intimate glimpse into the themes, emotions, and experiences that continue to shape his songwriting. From reflections on vulnerability and resilience to responses to global events that have left a profound impact on him, the EP showcases an artist unafraid to expose raw truths in pursuit of authenticity.
What makes Mesmonized particularly compelling is his belief that music should do more than simply fill a space. It should move people. Whether drawing inspiration from formative childhood experiences, exploring the healing power of creativity, or crafting atmospheric soundscapes that feel cinematic and immersive, his work consistently seeks a deeper connection with the listener.
In this exclusive interview, Mesmonized speaks candidly about the making of In the Room, the lessons learned from a decade-long album journey, the influences that shaped his artistic identity, and the vulnerability required to create meaningful art. He also shares his thoughts on songwriting, creative freedom, and the exciting road ahead as he prepares to unveil one of his most ambitious chapters yet.
For those discovering his music for the first time, this conversation offers a revealing look into the mind of an artist whose greatest strength lies in his willingness to be completely and unapologetically himself.
For readers discovering your work for the first time, how would you introduce yourself as an artist, and what core ideas or emotions define the sound of Mesmonized today?
As an artist I’m not fan of boxes and my music covers so many genres that I think I will just leave that to the listeners. However if it moves you in anyway, makes you think about things differently, or challenges your thought process then of course i’d be delighted. Music should always move you from ground zero.
The In the Room EP, set for release on 8th June 2026, represents a compelling preview of what’s to come. What was the initial creative spark that brought this project to life?
I had been working on the ‘Anomalous’ album for over 10 years and I still haven’t released it commercially. I learned many lessons doing tracks for that album which I wanted to explore further on ‘In the Room’ I guess the catalyst for all this was the live genocide we witnessed happening to the Palestinians and are still enduring.
You recorded In the Room EP in the same studio that housed your previous releases. How did returning to that familiar environment influence the sound, mood, or emotional direction of the record?
I have been in two other studios and if I wanted to I could have picked them but my home studio just felt special. I enjoy the ambience and feel relaxed in this space and I can’t see me moving anytime soon.
“In the Room” EP tackles both daily personal struggles and wider global events, blending intimacy with broader commentary. How do you approach writing about such different emotional scales while keeping everything grounded and human?
I think that depends on how vulnerable you want to be for your art. Nobody is going to relate to any of my songs if I don’t feel that special something during the songwriting process, there has to a Mesmonized signature in there somewhere. I have a certain idea in my head which grows organically and I don’t set any parameters and like my paintings sometimes less is more. I try not to overcomplicate things. Sometimes I can write in one sitting and at times I can get stuck, it can take days, weeks to finish.
Stepping back from this release, how did your journey into music begin, and what first made you realise this was the path you wanted to pursue seriously?
Music has always been a massive part of my life and I don’t want to get into when the journey started because it was so long ago, I think I will leave that journey for ‘Here I am’ which will feature on the new album that explains my journey. L&M reference on that track is for Lennon & McCartney. I knew I wanted to pursue the music path after some personal struggles and the darkness I experienced. Making music became a lifeline. I enjoy making music immensely. Making music is when I feel most alive.
Who were your earliest musical influences, and how have they shaped not just your sound, but your approach to storytelling and emotion in music?
The first song I heard as a child was ‘Eleanor Rigby’ at infant school and that’s the song that became my sub conscious paradigm. I believe that song was the first song that moved me. I thank that teacher that played that song in ‘Here I am’. In fact ‘Here I am’ is a homage to the Beatles and that teacher.
There is a strong atmospheric quality in your music, often described as immersive and cinematic. How intentional is that sense of space, and how do you build it in your production?
I don’t intend to do that as a starting point, When you’re making the track you figure it out during the process. I’m aware that it is becoming prominent in my songs. It is best not to look at the recipe!
As a solo producer and songwriter, what are the biggest challenges you face in bringing a track from idea to completion, and how do you overcome creative blocks?
The biggest challenges I face are when the track is finished, it’s the post production stuff I struggle with. When I have a creative block that usually means i need to take time out. I just leave the project and come back to it when I feel creative again. This is working well for me to date and long may it continue.
Looking ahead to the full album expected in autumn 2026, how does In the Room set the foundation for what listeners can expect next from you creatively and emotionally?
I am eagerly anticipating the release of my album in the autumn of 2026. I envision a collection of songs that will challenge and transcend traditional genres. This is just a glimpse of what lies ahead.
As I mentioned previously, songwriting often takes you to deeply personal places. It requires opening up and inviting the world in, which can be both daunting and essential for achieving authenticity—a vital component for any songwriter seeking serious recognition. Writing in such an exposed manner feels akin to being stripped bare; I have experienced moments of vulnerability throughout the creation of these tracks. It is in this honesty that I find my strongest expression.
